Search results for: “/"”

  • Bondage / Restraint: The Art of Immobilization

    Bondage / Restraint: The Art of Immobilization

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    What Is Bondage?

    Bondage—physically restraining or immobilizing a partner through ropes, cuffs, chains, or other devices—is one of the most iconic and widely recognized BDSM practices.

    The image of bondage (someone tied up, helpless, vulnerable) has become nearly synonymous with kink in popular culture. Bondage can be simple (handcuffs attached to a bedpost) or elaborate (full-body rope work suspending someone in intricate patterns). It can be functional (restraint used purely to prevent movement) or decorative (Japanese rope bondage/shibari, which creates beautiful patterns on the body). It can be the entire scene or serve as a preliminary to other activities. The unifying element is physical restraint: rendering someone unable to move freely, making them helpless and dependent on the person who tied them.

    The appeal of bondage operates on multiple levels. For the person being bound, there’s the physical sensation of restraint itself: the pressure of ropes or cuffs, the inability to move, the helplessness. There’s intense psychological satisfaction in surrender, in being literally unable to resist or escape, being at someone’s mercy, having control forcibly removed. Many bound people report entering meditative or trance-like states, finding the restraint relaxing and freeing.

    The vulnerability and trust required can create profound intimacy. For people doing the binding, appeal includes the control and responsibility (they have someone helpless), the artistic element (particularly in rope bondage), the anticipation of having restrained access to their partner’s body, and often the dominant rush of power.

    User Intent and Styles of Bondage

    Bondage practices vary enormously in complexity, intensity, and style.

    Simple bondage might use commercially available cuffs or restraints which are quick to apply, reasonably safe, and easy for beginners. Rope bondage (especially Japanese shibari/kinbaku) is an entire art form with dedicated practitioners, complex knot patterns, aesthetic considerations, and safety protocols. Heavy bondage might incorporate metal restraints, elaborate furniture (bondage tables, crosses), or mummification (wrapping someone entirely in materials). Suspension bondage lifts the bound person off the ground entirely—visually striking but requiring significant skill and safety knowledge. Predicament bondage creates situations where the bound person must choose between uncomfortable positions, adding psychological distress to physical restraint.

    User intent when searching “Bondage” or “Restraint” encompasses multiple needs. Some users are attracted to the aesthetic—they find bound bodies beautiful, the ropes and restraints visually appealing, the scenarios compelling. Others seek instruction—how to safely tie various positions, what equipment to use, safety considerations. Practitioners often look for inspiration or new techniques.

    The bondage community is large and active, with rope bondage having developed extensive educational resources, workshops, communities, and even competitive performances. Content ranges from artistic photography of bound subjects to pornographic scenes incorporating bondage to detailed tutorials and safety guides. Bondage has the advantage of being both relatively accessible (simple restraints are easy for anyone to try) and infinitely complex (rope masters spend years perfecting their craft), making it appealing to beginners and experts alike. For many people, bondage provides the perfect physical manifestation of power exchange where the dominant literally controls the submissive’s ability to move, creating helplessness and control in their most tangible forms.

  • SPH / CBT: The Genital-Focused Extremes

    SPH / CBT: The Genital-Focused Extremes

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    What Are SPH and CBT?

    SPH (Small Penis Humiliation) and CBT (Cock and Ball Torture) represent highly specific, often extreme kink categories focusing intensely on male genitalia: one psychological, one physical.

    SPH is verbal and visual humiliation centered on penis size, telling men their penises are small, pathetic, inadequate, laughing at their genitals, comparing them unfavorably, and creating scenarios where small penis size leads to sexual rejection or cuckolding. CBT involves inflicting pain on male genitals: slapping, squeezing, kicking, weights, clamps, cages with spikes, hot wax, and impact play. These practices sit at the extreme end of the kink spectrum and serve relatively niche audiences.

    The psychology of SPH is complex. For men aroused by small penis humiliation, the appeal often centers on humiliation itself—being degraded, told they’re inadequate, “put in their place.” Penis size in patriarchal culture is intensely linked to masculine worth and sexual adequacy, so attacks on penis size cut to the core of masculine identity.

    Some men find this humiliation sexually arousing through psychological mechanisms that aren’t fully understood, possibly processing anxiety through sexualization, possibly submissive tendencies, or possibly finding the taboo nature compelling. SPH often overlaps with cuckolding fantasies and FemDom (dominant women verbally destroying submissive men’s confidence).

    User Intent and Extreme Kink Appeal

    CBT psychology is somewhat more straightforward but still intense. For men who enjoy genital torture, the appeal centers on intense sensation (pain in the genitals creates overwhelming sensation), submission and endurance (taking pain to please a dominant or prove devotion), masochistic pleasure (some people are wired to find pain pleasurable), and the taboo of inflicting or experiencing pain on the most sensitive areas. CBT exists on a spectrum from relatively mild (light slapping, gentle squeezing) to extreme (severe impact, crushing, procedures with significant injury risk). Practitioners require knowledge and communication to avoid permanent damage.

    User intent when searching SPH or CBT is highly specific and often private. These are niche fetishes people might be embarrassed about or hesitant to share even in kink communities.

    Users seeking SPH want humiliation content focused on penis size—they might have actual small penises and have eroticized the insecurity, or have average or large penises but still find the humiliation scenario arousing. They’re looking for verbal degradation, visual comparisons, scenarios of rejection.

    Users seeking CBT want to see or experience genital pain—specific practices (ball busting, squeezing, clamps), instruction, or depictions of genital torture. Both categories serve audiences that mainstream porn completely ignores. SPH and CBT represent the extreme specificity kink categories can reach: practices that would horrify most people but serve real psychological and physical desires for specific audiences.

  • Chastity / Denial: The Orgasm Control Dynamic

    Chastity / Denial: The Orgasm Control Dynamic

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    What Is Chastity and Orgasm Denial?

    Chastity and orgasm denial represent one of the most psychologically intense forms of sexual control: the dominant decides when, how, or if the submissive is allowed to orgasm.

    At its simplest, this involves the submissive agreeing not to masturbate without permission. More elaborate denial involves rules, check-ins, and punishments for violations. Chastity devices—typically cock cages for men, though devices exist for all anatomies—make the control physical and inescapable. A submissive locked in a chastity cage cannot access their genitals for stimulation, cannot get fully erect, and cannot orgasm without being unlocked. The dominant holds the key, literally controlling the submissive’s sexual release. Some people stay in chastity for days; others for weeks, months, or even longer.

    The appeal centers on control at its most fundamental: sexual pleasure and release.

    For dominants, controlling when/if their submissive can orgasm represents ultimate sexual authority. It feels more powerful than controlling what sexual acts happen, because it controls the submissive’s most basic sexual function. Dominants enjoy the power, watching their submissive become desperate and frustrated, using orgasm as reward or withholding it as punishment, and often finding their submissive more attentive and eager to please when denied release. For submissives, the appeal is complex: surrender of the most personal control, constant physical reminder of their submission (especially when wearing a device), building sexual frustration that intensifies arousal and focus, and the experience of being completely controlled in their sexuality.

    User Intent and Long-Term Control Dynamics

    Chastity devices have become sophisticated and varied. Traditional metal cages are common but can be uncomfortable and conspicuous. Modern devices include plastic cages (lighter, discrete, TSA-friendly), custom-fitted devices (expensive but more comfortable for long-term wear), and increasingly creative designs. Devices can incorporate additional features: urethral insertion for more intense control, spikes that punish erection attempts, electronic locks controlled remotely, and integrated technology that reports arousal or unauthorized removal. The device market has grown substantially as chastity has moved from extreme fringe practice to relatively common kink activity. Long-term chastity requires careful device selection, hygiene protocols, and monitoring for health issues.

    User intent when searching “chastity” or “denial” typically falls into clear categories. Submissives seek content that reflects their desires—seeing others locked in chastity, experiencing denial, begging for release—or searching for device recommendations and advice. Dominants seek inspiration for controlling their submissives or learning techniques for effective denial.

    Both often look for the psychological component: content that emphasizes the control dynamic, the frustration and desperation of denial, and the power of the keyholder. Chastity content ranges from educational (device reviews, safety information, techniques) to pornographic (locked submissives being teased and denied) to lifestyle content (people sharing their long-term experiences). The category has grown significantly as FemDom and male chastity have become more mainstream in kink culture. Chastity represents control distilled to its essence: the dominant controls not just sexual activity but sexual release itself, creating a power dynamic maintained 24/7 through the physical presence of a locked device.

  • Pegging / Strapon: The Penetrative Role Reversal

    Pegging / Strapon: The Penetrative Role Reversal

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    What Is Pegging?

    Pegging, which is the term most commonly used for a woman penetrating her male partner anally with a strap-on dildo, represents one of the most specific and psychologically loaded practices in the kink landscape.

    This is ultimate role reversal: the woman takes the traditionally masculine penetrative role while the man receives penetration, the act traditionally associated with feminine submission. The physical mechanics are straightforward (strap-on harness, dildo, anal penetration, lubricant), but the psychological and cultural weight is enormous.

    Men are socialized to be penetrators, not penetrated; anal penetration of men is culturally associated with homosexuality and emasculation. Pegging challenges all of this, creating a practice where heterosexual couples engage in anal penetration with the woman as the active partner.

    The appeal of pegging is multidimensional and often controversial.

    For men, the physical appeal includes prostate stimulation (the “male G-spot” accessible through anal penetration, which can produce intense orgasms), the sensation of fullness and penetration, and experiencing sex from the “receiving” position. The psychological appeal often centers on submission and role reversal—surrendering to female dominance, experiencing vulnerability and penetration, being “taken” rather than taking.

    User Intent and Cultural Significance

    Some men appreciate the gender-bending element: experiencing what women experience, being penetrated, having their bodies used for someone else’s pleasure. For women, appeal might include the power and dominance of penetrating their partner, seeing their partner vulnerable and pleasured, wearing the strap-on and embodying penetrative sexuality, or simply trying something different and taboo.

    Pegging occupies interesting cultural territory because it sits at the intersection of multiple taboos: anal sex, gender role reversal, and male receptive sexuality. Straight men who enjoy being pegged often face anxiety about what their desires “mean”—does wanting to be penetrated make them gay? Does submitting to a woman undermine their masculinity?

    The culture around pegging has worked to address these anxieties, emphasizing that pegging is a heterosexual act between a man and woman, that exploring different forms of pleasure doesn’t change orientation, and that submission and masculinity aren’t mutually exclusive. However, stigma persists, making many men hesitant to express interest in pegging even to partners.

    User intent when searching “pegging” or “strapon” is highly specific: these users want to see women penetrating men (or occasionally other women) with strap-on dildos. They’re interested in this particular power dynamic and physical act. The category serves multiple audiences: men who fantasize about being pegged, women curious about pegging their partners, couples seeking instruction or inspiration, and viewers of any gender who find the role reversal arousing. Pegging content ranges from educational (how-to guides for couples) to purely pornographic (FemDom-oriented pegging scenes emphasizing dominance and submission).

    The category has grown significantly as anal play and prostate stimulation have become more normalized in heterosexual sexuality, and as conversations about gender and sexual roles have become more flexible. Pegging represents sexual experimentation at its most psychologically charged: a practice that challenges fundamental assumptions about gender, penetration, and sexual roles while providing intense physical pleasure.

  • FemDom / Dominant: The Female Authority Dynamic

    FemDom / Dominant: The Female Authority Dynamic

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    What Is FemDom?

    FemDom—Female Dominance—represents one of the most popular and culturally significant kink categories, centered on women wielding power, control, and authority over submissive partners (typically male, though not exclusively).

    This category reverses traditional heterosexual gender dynamics: the woman gives orders and the man obeys; the woman administers punishment or pleasure as she sees fit, the woman’s desires are prioritized while the man serves. FemDom exists on a spectrum from playful power reversal (a woman taking charge during sex) to elaborate domination scenes (professional dominatrixes in full leather gear) to lifestyle Female-Led Relationships where women hold authority in all relationship aspects. The unifying element is female authority and male submission.

    The appeal varies dramatically between dominants and submissives. For dominant women (dommes), it might include enjoying power and control, finding satisfaction in being served and worshipped, experiencing sexual agency without apologizing, exploring their capacity for strictness in safe contexts, or simply preferring to be in charge.

    For submissive men (subs), the appeal often centers on surrendering control and responsibility, serving and pleasing a woman, experiencing humiliation or discipline, worship and reverence for female authority, or exploring desires that conflict with masculine social conditioning like being penetrated (aka pegging), being controlled, and expressing vulnerability. FemDom allows both parties to inhabit roles that society typically forbids or stigmatizes.

    User Intent and the Appeal of Female Dominance

    FemDom content and practices vary enormously in tone and intensity. Gentler versions might involve a woman directing sexual activity, sitting on her partner’s face, or playfully bossing him around—relatively light, primarily sexual power exchange. Mid-range FemDom includes bondage, spanking, pegging, enforced chastity, foot worship, or other practices where female dominance is central. Extreme FemDom involves intense humiliation, severe physical discipline, cuckolding, extreme service demands, or practices like SPH or financial domination. Professional dominatrixes typically offer FemDom services that may or may not include sexual contact. The power exchange itself is the service, not necessarily sex.

    User intent when searching “FemDom” is clear: these users want women in dominant roles and men (or other submissives) in submissive roles.

    The gender dynamic is essential. Regular BDSM with male dominants doesn’t satisfy this need. Users might be male submissives seeking content that reflects their desires, dominant women seeking inspiration or validation, or people of any gender who find female authority and male submission appealing. The FemDom category has grown substantially as conversations about gender, power, and sexuality have evolved.

    It provides a space where traditional gender hierarchies are inverted, where female desire and authority are centered, and where male vulnerability and submission are normalized rather than mocked. For many users, FemDom isn’t just arousing—it’s politically and psychologically satisfying, representing a sexual space where women truly hold power.

  • Hypno / Sissy Training: The Psychological Conditioning Fantasy

    Hypno / Sissy Training: The Psychological Conditioning Fantasy

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    What Are Hypno and Sissy Training Kinks?

    Hypno and sissy training represent highly specific psychological kink categories that emphasize mental submission, conditioning, and transformation over physical domination.

    Hypno content uses repetitive audio and visual stimulation—spirals, flashing images, layered audio tracks, subliminal messaging—to create a trance-like state and supposedly “reprogram” the viewer’s desires and behaviors. Sissy training applies this psychological approach specifically to forced feminization: conditioning biological males to adopt feminine clothing, mannerisms, behaviors, and identities, often framed as a humiliating transformation or breaking down masculine resistance. These categories frequently overlap, with “sissy hypno” combining trance induction techniques with feminization messaging.

    The appeal is fundamentally about psychological submission and identity play. For many users, the fantasy involves having their resistance broken down, being “forced” to accept desires they supposedly resist, or being transformed against their will. The hypno element provides crucial psychological distancing: “it’s not that I want to be feminine/submissive, the hypnosis made me this way.” This allows exploration of taboo desires (feminization, submission, homosexual acts for straight-identifying men) while maintaining plausible deniability. The content typically includes humiliating messaging, telling viewers they’re weak, pathetic, destined to be sissies, and that their masculinity is being erased.

    User Intent and Psychological Appeal

    Sissy training follows a progression: initial resistance → gradual conditioning → acceptance and embrace of sissy identity. Common elements include forced feminization (wearing panties, makeup, wigs), behavioral modification (walking femininely, talking in a higher voice, adopting submissive postures), sexual reorientation messaging (claiming to turn straight men gay or bi), and service/submission training. The “training” framing is crucial: it positions feminization as something done to the viewer through systematic conditioning rather than something they chose, allowing exploration of gender presentation and sexuality in a psychologically safe framework where transformation is externally imposed.

    User intent when searching hypno or sissy training is highly specific and often secretive. These users seek psychological conditioning content—the experience of being “hypnotized,” having their mind manipulated, supposedly being transformed through repetitive exposure.

    Many approach this content compulsively, repeatedly watching it as part of a fantasy that they’re being conditioned over time. The category serves multiple psychological needs: exploring feminization desires, experiencing psychological submission without physical dominance, investigating sexuality and gender presentation in a distanced way, or simply enjoying the trance-like state and escapism.

    Critically, while the content presents itself as actual conditioning or hypnosis, most users understand they’re engaging with fantasy—the “hypnosis” works because they want it to work, because they’re choosing to be suggestible and explore these desires. The psychological framework just makes it easier to accept and explore desires that might otherwise feel too threatening to masculine identity or sexual orientation.

  • 🍔 SSBBW/Feederism: The Extreme Obesity Niche

    🍔 SSBBW/Feederism: The Extreme Obesity Niche

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    What the SSBBW Category Represents

    SSBBW (Super-Sized Big Beautiful Woman) represents the most extreme end of the size spectrum, featuring women who are not just fat but extremely obese, often 400-600+ pounds or more.

    This category frequently overlaps with or includes feederism content , which fetishizes weight gain, eating, and feeding. The fantasy here isn’t just about finding fat bodies attractive; it’s specifically about extreme size, immobility (or approaching immobility), the process of gaining weight, and often the power dynamics involved in feeding relationships. This is where body size itself becomes the primary fetish element, with content often emphasizing exactly how large performers are, their physical limitations, and in feederism content, their capacity to eat and continue growing.

    The SSBBW aesthetic is distinct from BBW in its extremity.

    What classifies as a SSBBW is a woman whose body is dominated entirely by fat, including a massive hanging belly (often called “aprons”), extreme thickness in all body parts, difficulty with mobility and daily activities, and size that makes conventional life challenging.

    Many SSBBW performers need assistance with basic tasks, use mobility aids, or are partially or fully immobile. The content often emphasizes scale: performers weighing themselves, comparing their size to smaller people, showcasing how much space they occupy, demonstrating their limited mobility. There’s a fascination with the body’s capacity to carry such extreme weight and the physical reality of living at that size.

    Feederism adds another dimension to this category, introducing behavior and process into what might otherwise be purely about static size. Feeders (typically men) derive pleasure from feeding their partners (feedees, typically women) and watching them gain weight. The fantasy revolves around encouraging eating, providing massive amounts of food, witnessing weight gain, and often a power dynamic where the feeder controls the feedee’s diet and growth.

    Some feederism content includes “mukbang” elements (watching someone eat large quantities of food), belly stuffing (eating until extremely full), weight gain progression photos/videos, and discussions of gaining goals. This isn’t just about being attracted to fat bodies—it’s about the active process of making bodies fatter.

    The SSBBW/feederism niche is controversial even within body-positive and fat-acceptance communities.

    Critics argue it fetishizes health problems, encourages life-threatening obesity, and sometimes involves coercion or unhealthy dynamics. Defenders argue it’s simply an honest expression of specific attractions, that fat people have agency over their bodies, and that sex work in this niche provides income and community for extremely fat women who face severe discrimination elsewhere.

    The reality is complex: some SSBBW performers and feedees genuinely enjoy their work and size, finding community and income in a niche that celebrates them; others may be financially desperate or caught in unhealthy relationships.

    What’s undeniable is that this category serves a specific audience that cannot be satisfied by any other content—users who are specifically attracted to extreme obesity, immobility, and/or the process of gaining weight. It’s the furthest edge of the size spectrum, serving desires that mainstream culture often finds not just unattractive but deeply disturbing, which is precisely why it exists as its own distinct category.

  • ⌛ Thick/Curvy: The Hourglass Fantasy

    ⌛ Thick/Curvy: The Hourglass Fantasy

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    What the “Thick” or “Curvy” Aesthetic Represents

    The “thick” or “curvy” aesthetic represents the single most significant shift in mainstream body type preferences over the past 15 years.

    This is the Instagram era body—the Kim Kardashian, Megan Thee Stallion, “slim-thick” ideal that has completely reshaped beauty standards. The fantasy here is about proportions, not overall size.

    The body type that is considered thick is when a woman has a small, defined waist combined with significantly larger hips, thighs, and breasts. The hourglass figure is the goal: dramatic curves that emphasize femininity through contrast. The appeal is visual and tactile, with prominent, shapely curves that are (crucially) toned or firm rather than soft. This body type appears to suggest fertility, femininity, and sexual abundance without crossing into what mainstream culture considers “overweight.”

    However, the thick/curvy category has suffered from catastrophic size bracket inflation, perhaps more than any other body type category. Because this aesthetic became so culturally dominant and celebrated, everyone wants to claim it.

    Women who are a size 6 with slightly wider hips call themselves “thick.” Marketing departments slap “curvy” on anyone who isn’t a size 0. Porn sites tag performers as “thick” when they’re just… average. Maybe a size 10. The original archetype—truly voluptuous women with dramatic hourglass proportions (typically size 8-14 with significant hip-to-waist ratio)—has been diluted to the point where “thick” can mean almost anything except very thin or very large.

    What users are actually searching for when they type “thick” or “curvy” is highly specific, even if the category has become muddled. They want prominent breasts (usually C-cup or larger), wide hips, substantial thighs and buttocks, but—and this is crucial—a relatively flat stomach and defined waist. The belly is the dividing line: a thick woman might have a soft lower belly, but she doesn’t have a large, protruding stomach. Her curves are distributed “in the right places” by conventional beauty standards. Users searching “thick” are often frustrated to find either average-sized women who aren’t curvy enough, or legitimately chubby/fat women who exceed what they’re looking for. They want that specific hourglass sweet spot.

    The mainstream celebration of this body type has been both liberating and complicated. On one hand, it’s expanded beauty standards beyond the heroin-chic thinness of the 90s and 2000s, making curvier bodies aspirational and desirable. (Though the latest trends show that aesthetic is making a comeback.)

    On the other hand, it’s created a new narrow ideal—you need curves, but only the “right” curves, and you still need that flat stomach and defined waist. Women who are thick in some areas but not others, or who carry weight in their midsection, find themselves excluded from this supposedly inclusive category.

    The “thick” label has become so desirable that everyone tries to claim it, which has ironically made it almost meaningless as a search term. Users now need to add modifiers (“slim thick,” “thick latina,” “thick ebony”) or use more specific measurements to find what they’re actually looking for, because “thick” alone has become too broad to be useful.

  • Fake Tits/Enhanced: The Implant Aesthetic

    Fake Tits/Enhanced: The Implant Aesthetic

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    Why the “Fake Tits” Aesthetic Is the Point

    The “Fake Tits” or “Enhanced” category celebrates what other categories might try to hide: obvious breast augmentation.

    This isn’t about natural-looking implants that pass for real breasts. This is about the distinctive aesthetic of visible enhancement—breasts that are clearly, unmistakably augmented, often dramatically so. We’re talking about the round, high, firm appearance of implants that don’t move naturally, the “bolt-on” look with minimal natural hang, the defiance of gravity that characterizes obvious augmentation.

    This category specifically serves users who find the artificial aesthetic attractive, who are turned on by the visible enhancement rather than seeking to ignore it. The implant look itself is the fetish.

    The appeal of obviously fake breasts is complex and often misunderstood by those who don’t share the preference. For users attracted to this aesthetic, the artificiality is the point, not a flaw to overlook. They find the perfectly round shape attractive, the high placement appealing, the firmness desirable. There’s an element of fantasy and exaggeration.

    Fake breasts represent a kind of hyper-femininity, breasts enhanced beyond what nature provides into something more stylized and extreme. Some users appreciate the visible commitment and transformation: a woman who got large implants made a choice to enhance her sexuality and femininity in an obvious way. The “fakeness” signals investment in a sexual aesthetic, a deliberate construction of enhanced sexuality. While size may vary for this category, the most common fake breast size is in the 300-500cc range.

    The aesthetic markers of this category are very specific. Obvious implants typically sit high on the chest, maintaining their round shape even when the woman lies down or bends over. They have minimal natural hang or jiggle. Instead, they’re firm and relatively static. There’s often visible upper pole fullness (the top of the breast is as full as the bottom, creating a round rather than teardrop shape).

    In extreme cases, you can see the edges of implants, creating an unnatural shelf-like appearance. The nipples might point outward rather than forward due to the stretching of breast tissue. These characteristics, which other performers or content might try to minimize, are celebrated in “Fake Tits” content as evidence of enhancement and transformation.

    The “Fake Tits” category exists in an interesting cultural tension. Mainstream society often criticizes obvious breast implants as looking “fake” or “plastic” (used as insults), yet this category proudly claims that aesthetic as desirable.

    It’s a reclamation of sorts: yes, they’re fake, and that’s exactly what we like about them. For performers with obvious implants, this category provides a space where their enhancement is the selling point rather than something to work around or disguise.

    The category tends to overlap heavily with other “enhanced” aesthetics—performers with obvious implants often also have other augmentations (lip fillers, BBLs, facial work), creating a holistic aesthetic of visible enhancement and transformation. This is porn’s celebration of artifice, of bodies deliberately constructed to be hyper-sexual and visually extreme. For users outside this preference, the aesthetic might seem bizarre or unappealing; for users within it, obvious fake breasts represent the pinnacle of enhanced sexual beauty. Nature improved through surgery into something more dramatic, more exciting, and more overtly sexual.

  • 11 Weed-Friendly 4/20 Events For Those Who Celebrate the High Holiday

    11 Weed-Friendly 4/20 Events For Those Who Celebrate the High Holiday

    St. Louis is going all out for 4/20 this year. Whether you plan to celebrate on Cherokee or in the Delmar Loop or somewhere in between, you’ll discover new cannabis vendors, try some infused treats and drinks, and enjoy live music and some fun giveaways. And most importantly, light St. Louis up with a little puff, puff, pass.

    Check out these 21-and-older 4/20 events that are guaranteed to leave you on a high note. Want to check out more than one, but eager to be responsible on the St. Louis streets? There’s a shuttle for that!

    Bonus: You can extend your celebration all the way into 4/21 with Stoner Cinema. Read on for details.

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    Pop's Blue Moon is hosting a 4/20 event on The Hill.

    RFT FILE PHOTO

    Bubble Vest Pop’s Blue Moon

    Listen to live music from Bubble Vest on April 20 from 8 to 11:30 p.m. at Pop’s Blue Moon (5249 Pattison Avenue). Enjoy CBD and THC options as well as their full bar for a relaxing 4/20. Details at facebook.com/events/370446775792098.

    Green Light District Festival Get high at the Green Light District Festival on Cherokee starting Friday, April 19 at the Cola Private Lounge (2834 Cherokee Street) for a night of laughs. From 8 to 10 p.m. the Best Medicine: Comedy, Dinner and Cannabis event will have a rotating lineup of hilarious comedians, with food from Rooted Buds to keep the munchies at bay. Doors open and dinner starts at 7 p.m. Then, on Saturday, April 20, from noon to 11 p.m. enjoy a day of markets, live concerts, DJ sets, skate demos and vendors; a scavenger hunt; classes in dance, painting and yoga; and hang out at the Cola Lounge. The real showstopper, however, will be the 4:20 Street Crawl Parade. Then, on Sunday, April 21, cool down from the weekend’s festivities with a yoga class and chef competition. General admission tickets ($20) include access to Saturday’s festival, market and live music; entry to the Cola Lounge all weekend; special discounts at participating Cherokee Street businesses; and participation in the 4:20 Street Crawl Parade. Separate tickets are required for the comedy show and dinner; dance, painting and yoga classes; yoga and sound therapy; and the chef competition. To purchase tickets visit gldstl.com.

    PHOTO COURTESY OF GREEN LIGHT DISTRICT

    Green Light District Festival

    Get high at the Green Light District Festival on Cherokee starting Friday, April 19 at the Cola Private Lounge (2834 Cherokee Street) for a night of laughs. From 8 to 10 p.m. the Best Medicine: Comedy, Dinner and Cannabis event will have a rotating lineup of hilarious comedians, with food from Rooted Buds to keep the munchies at bay. Doors open and dinner starts at 7 p.m. Then, on Saturday, April 20, from noon to 11 p.m. enjoy a day of markets, live concerts, DJ sets, skate demos and vendors; a scavenger hunt; classes in dance, painting and yoga; and hang out at the Cola Lounge. The real showstopper, however, will be the 4:20 Street Crawl Parade. Then, on Sunday, April 21, cool down from the weekend’s festivities with a yoga class and chef competition. General admission tickets ($20) include access to Saturday’s festival, market and live music; entry to the Cola Lounge all weekend; special discounts at participating Cherokee Street businesses; and participation in the 4:20 Street Crawl Parade. Separate tickets are required for the comedy show and dinner; dance, painting and yoga classes; yoga and sound therapy; and the chef competition. To purchase tickets visit gldstl.com.

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    Jermasa Dees owns and operates STL Space Treats bringing you the edibles of your dreams.

    PHOTO BY BRADEN MCMAKIN

    Taste of Canna

    Celebrate 4/20 at Taste of Canna from 11 a.m. to 5 p.m. at the House of Soul (1204 Washington Avenue). The event, hosted by JMR Solutionz, Greengirl STL and STL Spacetreats, will (obviously) be celebrating all things cannabis with a variety of products, from tasty edibles to soothing topicals. You can also learn from experts and connect with like-minded individuals. Tickets start at $5 and can be purchased at ticketleap.events/tickets/jmrsolutionzllc/TasteOfCanna24.

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    SmokeOutSTL: 420 Sesh Smoke out St. Louis on April 20 at this year’s 420 Sesh at Sister Cities Cajun (3550 South Broadway). From 7 p.m. until midnight, celebrate the smokiest holiday with some Cajun food, a solventless rosin dab bar, live music, a rig raffle, prizes, an infused soda bar, patio games, a private dab room and 20-plus community brands. The first 50 people will receive a free Holy Rollie hash hole and the first 25 will get a free STL Solventless limited-edition lemonade flavor. Tickets are $15 online and $20 at the door. VIP tickets are $80 and can only be purchased online. VIP tickets include a Rig Raffle Ticket, a Holy Rollie, a GodsGreens MoodMat, a Small Batch Bros Lighter, an STL Solventless sample, an STL Solventless cake pop, an STL Solventless lemonade, gift cards and more. Tickets are available at eventbrite.com/e/smokeoutstl-420-sesh-tickets-851678452177 with the first 40 people to register receiving $5 off.

    PHOTO COURTESY OG CELESTRIAL SNAX

    SmokeOutSTL: 420 Sesh

    Smoke out St. Louis on April 20 at this year’s 420 Sesh at Sister Cities Cajun (3550 South Broadway). From 7 p.m. until midnight, celebrate the smokiest holiday with some Cajun food, a solventless rosin dab bar, live music, a rig raffle, prizes, an infused soda bar, patio games, a private dab room and 20-plus community brands. The first 50 people will receive a free Holy Rollie hash hole and the first 25 will get a free STL Solventless limited-edition lemonade flavor. Tickets are $15 online and $20 at the door. VIP tickets are $80 and can only be purchased online. VIP tickets include a Rig Raffle Ticket, a Holy Rollie, a GodsGreens MoodMat, a Small Batch Bros Lighter, an STL Solventless sample, an STL Solventless cake pop, an STL Solventless lemonade, gift cards and more. Tickets are available at eventbrite.com/e/smokeoutstl-420-sesh-tickets-851678452177 with the first 40 people to register receiving $5 off.

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    COLBY AT MATCHBOX

    PHOTO BY COLBY AT MATCHBOX

    Steve’s 420: All Day Haze

    On Saturday, April 20, as part of their monthly Dazed and Infused series, get high with Steve’s Hot Dogs’ (3145 South Grand Boulevard) Delta-9 THC-infused menu items, including their homemade creamy mac and cheese (5 milligrams of THC) for $9 — add an additional 5 milligrams for $4.20. And this month’s event is a special one: In partnership with Proper Cannabis, the local hot doggery is hosting Steve’s 420: All Day Haze from 11 a.m. to 11 p.m., which features infused stoner bowls and Green Waffle Dogs as well as incredible munchie dogs including the Proper Dog, Macho Nacho, Horseshoe Dog and more. There will also be a Wake & Bake Up Late Dog featuring bacon, egg, jelly and cheese on a smoked all-beef hot dog, free N/A CBD seltzers courtesy of Mighty Kind, cross-faded cocktails and giveaways. Live music by Fleetwood & Family will start at 4:20 p.m. in Ritz Park followed by the Half Baked Comedy Night outside at 7 p.m. Infused menu items will be available for dine-in or carry out until they are sold out. Details at steveshotdogsstl.com.

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    Image from Loop Ice Carnival

    PHOTO BY REUBEN HEMMER

    The Loop 420 Street Fest

    The second annual Loop 420 Street Fest is sponsored by Sunshine Daydream and the Emporium on Saturday, April 20, from 11 a.m. to 7 p.m. This year there will be glass-blowing demos with Laceface, Niko Cray, JFELL, Cowboy, ChunkGlass, Gladstone Glass, Addison Hanna, Hilljack Glass, MTN Life and Nik Den Glass, as well as live painting by Peat “Eyez” Wollaeger and infusion cooking demos by Chef Snoop of Rooted Buds. Catch music by Jake’s Leg in the Tivoli parking lot from noon to 3 p.m. followed by Aaron Kamm and the One Drops from 4 to 7 p.m. Make sure to discover all the industry brands and vendors set up in the Loop and check out the 420 flash tattoos and tattoo contest with Enigma Tattoo. As an additional bonus to all the 4/20 fun, in honor of National Record Store Day, Vintage Vinyl will have live music all day at the Vintage Vinyl Stage on Leland Avenue. For more updates, sponsorship or vending opportunities see visittheloop.com/420fest.

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    4:20 STL Festival Stop by STL Home Growers (918 La Beaume Avenue) from 11 a.m. to 5 p.m. to explore more than 30 cannabis vendors, games, live performance and the chance to network with other industry professionals. There will also be free drinks, snacks and swag bags for the first 100 people. Tickets are $15 online or $25 at the door. Purchase tickets at eventbrite.com/e/420-stl-festival-tickets-855602117967.

    COURTESY OF HART PHOTOGRAPHY

    4:20 STL Festival

    Stop by STL Home Growers (918 La Beaume Avenue) from 11 a.m. to 5 p.m. to explore more than 30 cannabis vendors, games, live performance and the chance to network with other industry professionals. There will also be free drinks, snacks and swag bags for the first 100 people. Tickets are $15 online or $25 at the door. Purchase tickets at eventbrite.com/e/420-stl-festival-tickets-855602117967.

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    Puff and Paint 420 Wake ‘n’ Bake Wake up and join Introspectrum Events for their Puff and Paint 420 Wake ‘n’ Bake from 10 a.m. to noon at the Fenton Cannabis Dispensary (404 Gravois Road, Fenton). At the 21-and-older Puff n’ Paint, design and paint your own cannabis leaf on a 16-by-20-inch canvas with the help of the artist and stencils. Tickets are $55 and include a pre-roll, a goody bag filled with surprises from City Cannabis Dispensary and a fun playlist. There will be a food vendor on site selling coffee and breakfast. And, of course, smoking is allowed, so light it up and paint away. Note: This event is down a flight of stairs with no elevator, so it is not accessible for those with certain disabilities. Tickets online at introspectrumevents.com/event-details/puff-and-paint-420-wake-n-bake.

    COURTESY OF INTROSPECTRUM EVENTS

    Puff and Paint 420 Wake ‘n’ Bake

    Wake up and join Introspectrum Events for their Puff and Paint 420 Wake ‘n’ Bake from 10 a.m. to noon at the Fenton Cannabis Dispensary (404 Gravois Road, Fenton). At the 21-and-older Puff n’ Paint, design and paint your own cannabis leaf on a 16-by-20-inch canvas with the help of the artist and stencils. Tickets are $55 and include a pre-roll, a goody bag filled with surprises from City Cannabis Dispensary and a fun playlist. There will be a food vendor on site selling coffee and breakfast. And, of course, smoking is allowed, so light it up and paint away. Note: This event is down a flight of stairs with no elevator, so it is not accessible for those with certain disabilities. Tickets online at introspectrumevents.com/event-details/puff-and-paint-420-wake-n-bake.

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    Sesh at the Cinema St. Andrews Cinema & Event Center (2025 Golfway Street, St. Charles) is hosting Sesh at the Cinema from 1 to 6 p.m. filled with 420-themed vendors. Get lit at the 710 Glass dab bar before browsing or grab some food while enjoying a stoner classic inside the movie theater. There will be live entertainment as well as a smoke box for a nice little smoke sesh, in addition to some giveaways and raffles. General admission tickets are $20, VIP is $100 and includes all the above plus a swag bag valued at more than $150 in items, as well as a free raffle ticket. Details at facebook.com/events/959611978850785.

    PHOTO BY VIRGINIA HAROLD

    Sesh at the Cinema

    St. Andrews Cinema & Event Center (2025 Golfway Street, St. Charles) is hosting Sesh at the Cinema from 1 to 6 p.m. filled with 420-themed vendors. Get lit at the 710 Glass dab bar before browsing or grab some food while enjoying a stoner classic inside the movie theater. There will be live entertainment as well as a smoke box for a nice little smoke sesh, in addition to some giveaways and raffles. General admission tickets are $20, VIP is $100 and includes all the above plus a swag bag valued at more than $150 in items, as well as a free raffle ticket. Details at facebook.com/events/959611978850785.

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    STL Smoker's Shuttle 420 Edition Want to get high and not worry about driving? The STL Smoker’s Shuttle has you covered. For $20 the shuttle will transport you to the Loop 420 Street Fest, Cherokee Street Green Light District Festival, STL Homegrowers 420 Festival and A Taste of Canna from 11:30 a.m. to 5 p.m. Tickets include transportation on the smoke-friendly shuttle, trippy treats for the ride, discounted entry to shuttle events and a real 420 vibe with music, giveaways, super seshes and more. Tickets and details at eventbrite.com/e/stl-smokers-shuttle-420-edition-tickets-849225545467.

    PHOTO COURTESY OF WE CANN

    STL Smoker’s Shuttle 420 Edition

    Want to get high and not worry about driving? The STL Smoker’s Shuttle has you covered. For $20 the shuttle will transport you to the Loop 420 Street Fest, Cherokee Street Green Light District Festival, STL Homegrowers 420 Festival and A Taste of Canna from 11:30 a.m. to 5 p.m. Tickets include transportation on the smoke-friendly shuttle, trippy treats for the ride, discounted entry to shuttle events and a real 420 vibe with music, giveaways, super seshes and more. Tickets and details at eventbrite.com/e/stl-smokers-shuttle-420-edition-tickets-849225545467.

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    Stoner Cinema Extend your 4/20 celebration by dropping by the Factory (17105 N Outer 40 Road, Chesterfield) on Sunday, April 21 for Stoner Cinema. The Big Lebowski screens at 3:30 p.m., but you'll want to come early, because beginning at 1:30 p.m. pop-ups from top Missouri cannabis companies will showcase their products across the first and second floor lobbies as well as inside the music hall. There's also a costume contest — come as The Dude, Walter, De Jesus or any favorite character for a chance to win big prizes. Details at thefactorystl.com/event/stoner-cinema/.

    SCREENSHOT VIA YOUTUBE

    Stoner Cinema

    Extend your 4/20 celebration by dropping by the Factory (17105 N Outer 40 Road, Chesterfield) on Sunday, April 21 for Stoner Cinema. The Big Lebowski screens at 3:30 p.m., but you’ll want to come early, because beginning at 1:30 p.m. pop-ups from top Missouri cannabis companies will showcase their products across the first and second floor lobbies as well as inside the music hall. There’s also a costume contest — come as The Dude, Walter, De Jesus or any favorite character for a chance to win big prizes. Details at thefactorystl.com/event/stoner-cinema/.

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  • Goodbye to the Colony II, a Swinger/Adult Film Hub in East St. Louis

    Goodbye to the Colony II, a Swinger/Adult Film Hub in East St. Louis

    PHOTO BY THOMAS CRONE

    For 25 years, the Colony II served East St. Louis — and swingers from neighboring Missouri, too.

    In the end, the circumstances and details surrounding the demise of the East Side’s longest-running adult cinema are just as blurry as the films (well, tapes) that played on the venue’s smoke-stained screens.

    The Colony II was established in East St. Louis in 1991, according to the website Cinema Treasures, although the décor was a mishmash of ‘70s-through-‘90s influences. It was operated by a company called Venice Films, established in 1975, which at one point ran two adult cinemas in East St. Louis, located just few blocks apart. The first, the Colony, preceded its younger sister in death.

    For decades, the Colony II was a center for St. Louis’ swinger subculture, with the primary “couples theater” showing VHS classics in a locked room, filled with cloth-lined couches sitting atop cinderblocks. Several now sit in a sad, high pile behind the building.

    While the ancillary theaters and a breathtakingly dated lounge were open to all –- with lots of solo-flying gentlemen as attendees –- the couples theatre and secluded dance floor were limited to key-holders. Those magical entry keys were doled out by the club’s desk attendant, along with a handful of branded drink chips; on any given night, the prices varied, as the night’s entertainment was often chalk-marked as a “private party.” For $30 to $60 a couple, the veil of exclusivity was lifted and you were a club member for the evening.

    But it was not to last.

    As first reported by the Belleville News-Democrat, the cinema was unceremoniously shuttered during the early-morning hours of Saturday, May 14. The News-Democrat piece details a raid by East St. Louis’ police: “Deputy Liquor Commissioner Natavia Sanders said adult films are not allowed in East St. Louis theaters and during her investigation of the place, she found the owner to be showing adult films. ‘They didn’t have a city or state liquor license or a business license,’ she said.”

    But the Colony had been showing adult films for decades. Downright laughable is the notion that East St. Louis officials didn’t know what was happening until recently.

    Neither the East St. Louis mayor nor police chief responded to calls and emails seeking comment last week. Calls were also made to several numbers attached to the business, as well as a Facebook message. Two visits to the site failed to yield anyone who could talk.

    The place (later officially renamed “Colony Theater and Cocktails”) looked closed – and more than a bit intimidating – even when it was open. Set back from the street, a U-shaped driveway cut around a dilapidated, open-air doghouse; a thick treeline crept along the property line, then stopped abruptly near the building’s weathered, fortress-like walls. The eight front windows were slits, better to see out of than into. Its location on a block filled with mature woods and collapsing frame homes allowed it to exist for two-and-a-half decades in this strange sliver of space.

    The most interesting clue to its demise comes from an odd source. On Cinema Treasures, an adult theater blogger known as Dr. Emilio Lizardo wrote, “The business was sold when the long time owner, Ed Komorek, passed away and in turn was sold by his heirs. From what I understand licenses were not obtained by the new owners and the business (which was to be re-named ‘Kisses’) was shuttered by the city.”

    Records show that Venice Films Inc. was dissolved on December 11, 2015 by the Illinois Secretary of State. At the time, paperwork showed, the business was under the ownership of Edward Anthony Komorek III of Olathe, Kansas; other documents show him as a resident of Webster Groves.

    In 2000, RFT writer Eddie Silva got up-close with Komorek’s father, Edward Komorek II. He detailed the encounter in a piece titled “Video Killed the Pornography Star”:

    “’Who would go to a theater when they can get their rocks off at home?’ says Ed, the owner/manager of the Colony, the last remaining triple-X house in the region. Ed (who really isn’t interested in being in the newspapers, so leave it at Ed) has operated the Colony for 30 years. A dilapidated wooden structure on a foundation of cinderblocks, the Colony sits unobtrusively on the East St. Louis/Washington Park border, not far from the Grace Union Methodist Church and close to a new housing development in one of the worst zones of poverty in the region. To Ed, the rows of new homes mean nothing more than ‘more shootin’,’ which he’s prepared for — the butt end of a .45 is prominently displayed in the pocket of his blue jeans.”

    Big Ed, who would have been approximately 77 at the time of his death, was usually the deep-voiced greeter who met theatergoers upon entry, an imposing guy behind an equally-imposing desk that overlooked the front door.

    The comment he made to Silva about a weapon proved eerily prophetic. In 2010, the Post-Dispatch covered a case in which a man named Travis Heard, 35, was stopped in the act of stealing metal from the roof, then shot when escaping the cinema after detention by the owner. As part of the Colony was in East St. Louis and part in Washington Park, Heard was shot in one municipality and perished in the other.

    Big Ed was not charged. He told investigators that someone had stolen an air conditioner from outside his business the week before. “He made arrangements for a new one and was staying in the building to make sure nothing else got stolen, police said… He was holding Mr. Heard as a burglary suspect and, in an attempt to call police, there was a shot fired and Mr. Heard fled from the scene.” Since then, the Colony II’s air conditioning units have been topped by steel cages.

    Time finally caught up with the Colony II this year. The Colony’s Facebook page was last updated in mid-April, advertising a weekend twerking contest. Then … nothing. After the May raid, the building’s featured a “closed” sign, one that’s slotted right through the front door’s handles.

    While the swinger community that congregated there already had established email channels and Facebook secret groups for connection outside of the place (which were liberally pitched to non-regulars and newcomers), it’s future generations of gawkers who’ll lose out. For an outsider, the appeal of a drop-in wasn’t the organized, awkwardly unsexy events; it was the people-watching that made the scene, those folks existing amidst the crazy decor. The Colony II’s cocktail lounge, in particular, was a remarkable room, featuring multiple, small TVs showing adult fare, a Smithsonian-worthy collection of kitsch, exotic wallpapers, a rotating hot dog machine and a fish tank full of neon tetras.

    There was nothing else like the Colony II. Probably never will be again.

     

    The couches that previously graced the "couples theater" now form a sad pile behind the building. - PHOTO BY THOMAS CRONE

    PHOTO BY THOMAS CRONE

    The couches that previously graced the “couples theater” now form a sad pile behind the building.

     

  • UPDATED: Christopher Coleman’s Illinois Home/Murder Scene Up for Auction This Afternoon

    UPDATED: Christopher Coleman’s Illinois Home/Murder Scene Up for Auction This Afternoon

    Chris Coleman’s home is up for auction. Crime scene tape not included.

    UPDATE 2:21 p.m.: According to Diane Sendelbeck, Monroe County’s deputy court clerk, the Coleman casa sold for $256,419.96.

    The buyer? Wells Fargo Bank.

    Sendelbeck said nobody from the public bid on the house.

    “Channel 2 and 4 and 5 were here, there were a lot of reporters and cameramen,” she said. “There were a lot of news media but I don’t think anyone actually put a bid on it. Since the plaintiff bought it back at that price I’d be shocked if there was another bid.”

    Original post follows…

    It seems like just yesterday that Wells Fargo was foreclosing on Christopher Coleman‘s three-bedroom home at 2854 Robert Drive in Columbia, Illinois, where his wife and two young sons were strangled to death a little more than a year ago.

    Alas, that was three whole months ago and (shockingly) no buyer emerged in the interim for the 950 square foot abode. Maybe it was the picture on the real estate listing with crime scene tape and homicide detectives that scared people off. Either that or the fact that the property value has declined more than $100,000 since Coleman purchased the place in 2005 for $212,000.

    Of course that just means there’s a bargain to be had this afternoon at the Monroe County Courthouse.

    Wells Fargo is auctioning off the house to the highest bidder.

    The sale starts at 1 p.m. Coleman’s former home (he now resides in jail, booked on murder charges and facing a possible death sentence) is the only one on the auction block.

    Real estate website Zillow.com estimates the home’s value is between $141,000 and $202,000.

    Coleman still owes $230,000, plus interest on the mortgage.

    According to the Associated Press (via the Belleville News-Democrat), “By Illinois law, the house must be sold “as is” – meaning prospective buyers don’t get a chance to inspect it.” In other words, there’s a bargain to be had as long as you don’t mind red spray paint on the walll that reads “I told you this would happen.”